Ear training for trombone

Foreword by John Marcellus

Introduction

About David Vining

I. Preliminary Studies I. 1. Basic Pitch Matching (1) I. 2. Basic Pitch Matching (2) I. 3. Basic Pitch Matching with No Rest Before Singing I. 4. Basic Pitch Matching: Scale-wise I. 5. Two Familiar Songs I. 6. Ode to Joy from Symphony No. 9 II. Intermediate Studies II. 7. Scale-wise C Major II. 8. Scale-wise Major/Minor II. Scale-wise Ab Major II. 10. Amazing Grace II. 11. Scale-wise Ab Major II. 12. Scale-wise C Major and A Minor II. 13. Scale-wise Eb Major: Singing Every Other Note II. 14. Scale-wise A Major II. 15. Danny Boy II. 16. Scale-wise Major/Minor: Singing Every Other Note II. 17. Scales and Arpeggios II. 18. E-Minor Chant II. 19. D-Dorian Chant II. 20. O Come O Come Emmanuel III. Advanced Studies III. 21. Eb Major Arpeggio III. 22. Major/Minor Scales III. 23. Sonata in F (Movement I) III. 25. Scales/Arpeggios/Thirds: D Major/B Minor III. 26. Etude in F Major III. 27. Natural Slurs III. 28. 'Tis the Gift to be Simple III. 29. Circle of Fourths III. 30. Interval Study III. 31. F Major Intervals III. 32. Diminished Triads III. 33. Octatonic Scale III. 34. Whole Tone Scale IV. Intervals IV. 35. Scale-wise Widening Intervals IV. 36. Chromatic Widening Intervals IV. 37. Chromatic Intervals IV. 38. Thirds (1) IV. 39. Thirds (2) IV. 40. Fourths IV. 41. Fifths IV. 42. Ascending Sixths IV. 43. Descending Sixths IV. 44. Ascending Sevenths IV. 45. Descending Sevenths IV. 46. Tritones IV. 47. Wide Intervals IV. 48. Random Intervals V. Arpeggios V. 49. Major Arpeggios (1) V. 50. Major Arpeggios (2) V. 51. Minor Arpeggios V. 52. Major and Minor Arpeggios (1) V. 53. Major and Minor Arpeggios (2) V. 54. I-IV-V7 V. 55. I-IV-ii-V7 V. 56. I-IV-V Inverted V. 57. ii-V-I Jazz Style V. 58. Diminished Arpeggios V. 59. Augmented Argpeggios V. 60. Dominant-Seventh Arpeggios V. 61. Seventh Arpeggios V. 62. Mixed Arpeggios VI. Melodious Etudes: Bordogni VI. 63. No. 2 VI. 64. No. 5 VI. 65. No. 6 VI. 66. No. 12 VI. 67. No. 15 VII. Orchestral Excerpts VII. 68. Tuba Mirum from Requiem K. 626  VII. 69. Adagio from Symphony No. 3 (Organ)  VII. 70. Hungarian March from Le Damnation de Faust Op. 24